About Me

I’m an elementary music teacher with fourteen years of experience. I won’t even mention hoAlishaw long I’ve played the flute, but suffice it to say a few decades. My brilliant husband is a composer and audio engineer, which has opened some doors for me and allowed me to record on more than a dozen video games and a national commercial spot.

I received my bachelor’s and master’s degrees from Texas State University with an emphasis in Kodály pedagogy. I’ve also completed two levels of Orff-Schulwerk at Trinity University in San Antonio. In 2010 I won a grant for SMART board technology and use it regularly in my classroom. Creating my own visual aids to use with the SMART board is part of the inspiration for this website. I hope the resources will be useful for many teachers.

As a writer, I’ve focused on picture books and early readers up until now. My current WIP is a middle grade nonfiction book called Catgut and Toenails: The Stuff Instruments Are Made Of.  It’s exciting to discover the many materials that have gone into making instruments, and I’m having fun writing the gruesome, little-known facts. At the Texas Book Festival, I pitched my idea at Pitchapalooza and came in second place. With the help of The Essential Guide to Getting Your Book Published, along with the author David Henry Sterry, and my fabulous critique group, I’m preparing a nonfiction proposal to find a publisher.

Recent Posts

Tongo – Polynesian Canoe Song

This awesome folk song has multiple uses. Its pentatonic range of low la up to la (la, do re mi so la) allows teachers to use it with multiple grade levels. The syncopated rhythms and dotted quarter note and eighth note rhythms make it engaging for upper elementary as well. The call and response format makes it very easy for students to learn. Finally, the opportunity for improvisation makes it a winner. Let’s dig in!

For the game, my students sit in long rows of equal length, as if they’re sitting in canoes. After singing the song, I clap a four beat pattern and they echo me. Actually, I do four different four beat patterns and they echo each one. Then I immediately sing the song again. By teaching them not to talk after each “set,” I’m also building good classroom management habits.

After we’ve tried this a few times, the head of each canoe chooses an unpitched instrument. During the final phrase of the song, they stand and face their row. They improvise four beat patterns and their row/canoe claps back the four beat patterns. Be prepared for a bit of chaos the first time. The students have to get used to listening for just their leader’s instrument and the four beat patterns. My student teacher made a sign that said, “Play” with four hearts under the word. She stood at the back of the canoes and pointed to the beats while the leaders were supposed to improvise their patterns. It helped the “leaders” stay together. When the song begins again, they should hand their instrument to the next person and walk to the back of the canoe.

Another helpful tip: Clap some patterns for the students while singing phrases that match such as, “Doggie, Doggie, where’s your bone?” “My paddle’s keen and bright” “Rain, Rain, go away” etc. so they get some ideas and realize they can use rhythms from songs they already know.

Eventually, ask your class who would like to be the singing leader. You’ll be surprised and delighted to hear your students take over. The full song with lyrics is also available under Resources for Teachers near the bottom with full lyrics. Tongo in F

  1. Sub Plans for Music Class Leave a reply
  2. What’s in the cards? Leave a reply
  3. Differentiation in the Elementary Music Classroom Leave a reply
  4. Hogs in the Cornfield – the first song request! 4 Replies
  5. Song Requests? 3 Replies
  6. Choir Notes 1 Reply
  7. Bow, Wow, Wow do presentation 5 Replies